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Sashiko-ori (Woven Sashiko)

Learn about the history and structure of sashiko-ori while weaving a sampler.

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Sashiko-ori (Woven Sashiko)

Sashiko-ori (Woven Sashiko)

Learn about the history and structure of sashiko-ori while weaving a sampler.

Pricing
  • Member Registration
    $ 502.00
  • Guest Registration
    $ 617.00
Tuition Assistance and Policies
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Cancellation & Other Policies
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Sashiko-ori is based on the hitomezashi style of Japanese sashiko stitching. This weave structure is basically a supplementary warp and weft and basic possibilities have been mined in weaving traditions from Peru, Japan, and Europe. Learn how to take design work a step further as you weave a small sashiko-ori sampler.

Details

  • Skill level: Intermediate to advanced. You must be confident in warping and weaving on a floor loom. If you'd like to learn, refresh your skills, or if are unsure if this class is suitable for you, please contact: weaving.coordinator@bainbridgebarn.org.
  • You'll weave on warps 10 inches wide and 3 1/2 yards long, and use 8/2 and 6/2 sized cotton.
  • Bring a packed lunch for daily breaks. You'll have access to basic kitchen supplies including a microwave and refrigerator on the lower level. Tea and coffee will be provided.

Materials

  • A $42 materials fee, included in the price of the class, covers all warp and weft materials needed.

Class Policies

  • Ages 14 and up are welcome. 
Instructor
Beth Johnson

Beth is a weaver, teacher, and workshop leader living in Black Mountain, N.C. She grew up in Charleston, S.C., and when she became interested in weaving and textile arts, learned initially from students from Norman Kennedy, later studying with him for many workshops. A lifelong fascination with Asian art led to an interest in Japanese textiles and she has had two extensive stays in Japan to study kasuri (ikat weaving and dyeing) and sakiori (rag weaving) with master weavers there. Other avenues of exploration have been sashiko stitching and nyoho-e (Zen stitching). Recent studies have been in the ikat traditions of Europe, influenced by the 18th century wave of Orientalism on the continent, and woven structures like sashiko-ori and kasuri-ori that mimic hand stitching and ikat processes. The craft schools, weather, and music compelled a move to western North Carolina in 1980 where she has worked a number of arts related jobs (including in environmental and craft preservation in Cherokee) while maintaining a studio and teaching in formal and informal institutions. She is now weaving and teaching full-time and is co-authoring a book on sashiko-ori.

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