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Drawing 3-Dimensionally in Metal Using Chasing and Repoussé Techniques

Jan. 17 session delayed until 1:00 PM due to weather. Starting from one flat sheet of metal, you can create three-dimensional geometric designs and figurative drawings using chasin

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Drawing 3-Dimensionally in Metal Using Chasing and Repoussé Techniques

Drawing 3-Dimensionally in Metal Using Chasing and Repoussé Techniques

Jan. 17 session delayed until 1:00 PM due to weather. Starting from one flat sheet of metal, you can create three-dimensional geometric designs and figurative drawings using chasin

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Registrations Closed

About

Jan. 17 session delayed until 1:00 PM due to weather.

Starting from one flat sheet of metal, you can create three-dimensional geometric designs and figurative drawings using chasing and repoussé techniques. 

In this class, you’ll learn methods for transferring a line drawing onto sheet metal. Then, following the pattern or drawing on your metal, you’ll create dimension by “pushing” the raised portions of your design from the back of the metal using repoussé punches. From the front side, you’ll complete the design by refining the shapes, and adding texture and detail using chasing tools. 


Details:

  • This is a beginning / intermediate level class.  Students should know how to saw, pierce, drill, anneal, and file metal. Riveting and soldering skills will be helpful but not necessary.
  • $15 materials fee is included in the class tuition.
  • Students please bring:
  1. Pen, notebook, fine-point Sharpie or other pen that writes on metal
  2. 6” metal ruler 
  3. If you want to work in silver, please bring your own 24 or 22 gauge sterling sheet at least 2” x 4” (if you have a larger piece, don’t cut it)


Instructor: Joan Hammond began working in metal in 1994, when she started taking metalsmithing classes as an antidote to documenting computer software. What she discovered was a medium that not only utilized her previous training in painting, printmaking, and ceramics, but also opened the possibilities of creating art that can be worn. Family artifacts and history, plants and animals, and the textiles and jewelry of non-Western cultures inspire her current work, which Hammond executes using the techniques of chasing and repoussé. Her long-time interest in Asian art, which deepened when she studied calligraphy and tea ceremony in Kyoto, Japan, continues to influence her aesthetics and sense of design.

Hammond exhibits locally and nationally, and her work has been published in Metalsmith magazine’s Exhibition in Print. She is a member of the Seattle Metals Guild; has served on the Board of Northwest Designer craftsmen; and co-chaired a national conference for the Society of North American Goldsmiths.

 

Contact: Jewelry.Lead@BainbridgeBARN.org


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