Printmaking Open Studio

Print & Book Arts

Printmaking Open Studio

Work on your own projects, with a monitor available to answer questions.

Member

Free (any noted materials fee included)

Guest

$20.00 (any noted materials fee included)

Tuition Assistance and Other Policies

Meeting Times
  1. Thur, 3/13/2025 5:00 PM - 9:00 PM

Thur, 3/13/2025

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Type:
Open Studio, Has Prerequisite

Location:
Print & Book Arts Studio

Interests:
Letterpress, Printmaking, Book Arts

About

Members are welcome to attend the Print & Book Arts Open Studios to work on personal projects of all kinds. Each session includes a monitor who can answer questions, although no specific instruction is provided. The etching press is available for supervised use by those who are not yet certified for independent use. Letterpress equipment may only be used by those who are certified. The last half hour is devoted to cleanup.

Registration is required because there is a set number of artisans who can be in the workspace at one time.

Details

  • Etching press certification check-off is available at this Open Studio. If you're seeking to get certified for independent use of the etching press, please arrive at the start.
  • You must register (no drop-ins).
  • If you have questions, or are interested in becoming a studio monitor, email Print & Book Studio Lead at printandbook.lead@bainbridgebarn.org

Prerequisites

You must have taken introductory classes in either printmaking, letterpress, or book arts or have attended a studio orientation.

Class Policies

Ages 14 and up are welcome.

BARN Policies

Instructors or Guides

Christa Schoenbrodt

Christa, a life-long Middle Tennessean, has lived a life of creativity. Surrounded by family members who were always stitching something – whether clothing, quilts, or embroidery – her creative expression was often more about exploring fine art. Paper was often her preferred surface not only as a printmaker but as a graphic design studio owner (Studio Haus). Then she learned the artistry of block-printing repeat patterns and textile design, using skills that merged perfectly with her design sensibilities. The slower and more experimental pace of hand-printing repeat patterns presented great surprises and opportunities to accept the “imperfections” inherent in the process. She now works with textiles using not only block-printing processes but also silkscreen, digital design, cyanotype, and mixed media techniques.

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