Texture Metal using the Rolling Mill

Jewelry & Fine Metals

Texture Metal using the Rolling Mill

Add texture to sheet metal using the rolling mill.

Member

$127.00 (any noted materials fee included)

Guest

$151.00 (any noted materials fee included)

Tuition Assistance and Other Policies

Meeting Times
  1. Fri, 3/7/2025 10:00 AM - 1:00 PM

Fri, 3/7/2025

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Type:
Class, Has Prerequisite

Location:
Jewelry & Fine Metals Studio

Interests:
Jewelry Making

About

This skills-based class teaches you how to texture sheet metal using the rolling mill. By putting metal through the rolling mill with a texturing material, such as a paper or steel texture plate, you press the design into the metal.

Texturing makes the surface of copper, brass, or silver sheet more interesting because the variations in depth catch the light differently. It also can enhance the design of your project by conveying a theme, such as flowing water, wood grain, or patterned fabric.

Details

Skill Level: Beginning to intermediate.

    Project

    You'll make several sheets of textured metal that you can use as a base for future projects such as pendants, brooches, earrings, and more. You can use the metal as-is or enamel it.

    Materials

    • A $31 materials fee, included in the cost of the class, covers the materials needed.
    • You should bring:
      • Apron.
      • Towels for drying metal and hands.
      • Pen, notebook, Ultra Fine-Point Sharpie or other pen that writes on metal.

      Prerequisites

      Class Policies

      • Ages 14 and up are welcome.
      • You must wear closed-toe shoes, tie back long hair, wear natural-fiber clothing, and avoid loose-fitting clothing and jewelry.

      BARN Policies

      Instructors or Guides

      Joan Hammond

      Joan Hammond began working in metal in 1994, when she started taking metalsmithing classes as an antidote to documenting computer software. What she discovered was a medium that not only used her training in painting, printmaking, and ceramics, but also opened the possibilities of creating art that can be worn. Family artifacts and history, plants and animals, and the textiles and jewelry of non-Western cultures inspire her current work, which she executes using various fabrication techniques, including chasing and repoussé.

      Hammond exhibits locally and nationally. Her work has been published in Metalsmith magazine’s Exhibition in Print. She is a member of the Seattle Metals Guild and an active volunteer and instructor at BARN.

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