Pitch Your Book so that Publishers Pay Attention

Writers

Pitch Your Book so that Publishers Pay Attention

Master your query letter and verbal pitch so you can break through the noise and get your project noticed.

Member

$130.00 (any noted materials fee included)

Guest

$162.00 (any noted materials fee included)

Tuition Assistance and Other Policies

Meeting Times
  1. Sat, 4/12/2025 10:00 AM - 4:00 PM

Sat, 4/12/2025

See additional date options »




Type:
Class, No Prerequisite

Location:
Writers' Studio

Interests:
Fiction, Nonfiction, Writing Workshop and Critique

About

Agents are flooded with more queries and proposals than ever before, even as publishers cut back the number of books they produce each year. 
This is a chance to step back and look at your fiction or nonfiction work through fresh eyes. We’ll identify the things that make your project unique, marketable, and irresistible to publishing gatekeepers, and then, with examples and time for practice and feedback, work on verbal “elevator pitches” and query letters. 
We’ll take a look at the business of books, including the different types of publishing companies, what they offer, and how to identify which houses are good fits for you and your project. We'll dig into your work, and, after a working lunch break where you'll have quiet time to work on your own pitch, you'll have the chance to share your project and get input from the instructor and the group. 
This is also a valuable class for self-publishing writers who want to pitch their books so that readers pay attention.

You will:

  • Be challenged to consider your work from a fresh, detached, commercial perspective.
  • Learn how to condense full-length fiction and nonfiction projects into industry-appropriate synopses of one or two pages, and identify the compelling “hooks” that make great verbal pitches and query letter descriptions.
  • Gain a realistic understanding of what publishers and agents are looking for in new authors, including author platform, compelling concept, and connection to existing popular trends.

Materials

Something to write on, something to write with. Students should have a book-length work in progress, either fiction or nonfiction, but it doesn’t need to be complete yet. 

BARN Policies

Instructors or Guides

Beth Jusino

Beth Jusino is a publishing consultant for both traditional and self-publishing authors, with almost 20 years of experience helping writers navigate the complicated space between manuscript and final book. A former literary agent and marketing director, she’s the author of the award-winning "The Author’s Guide to Marketing" and has ghostwritten or collaborated on half a dozen additional titles. Beth is a member of the Northwest Independent Editors Guild, a regular speaker for Seattle Public Library’s #SeattleWrites workshops, and has taught at writers’ conferences across the country. Visit her online at www.bethjusino.com or on Twitter @bethjusino.

Go to Top