Make an Arts and Crafts Mirror

Woodworking

Make an Arts and Crafts Mirror

Replicate the great proportions and elegant details of the entry mirror at the famous Blacker House.

Tuition Assistance and Other Policies

Meeting Times
  1. Tue, 12/3/2024 12:00 PM - 3:00 PM
  2. Thur, 12/5/2024 12:00 PM - 3:00 PM
  3. Tue, 12/10/2024 12:00 PM - 3:00 PM
  4. Thur, 12/12/2024 12:00 PM - 3:00 PM

Tue, 12/3/2024 - Thur, 12/12/2024

Waitlist

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Type:
Class, Has Prerequisite

Location:
Woodworking & Small Boat Studio

Interests:
General Woodworking, Holiday

About

Make a mirror frame — or two — for gifts or your own home in the likeness of an actual Arts and Crafts style frame. The Arts and Crafts movement, which stressed craftwork and simplicity, originated in England in the 1850s and spread to the United States. You'll learn a variety of techniques you can apply to other woodworking projects, as well.

The original frame hangs in the entry of the Blacker House, a masterpiece in the Arts and Crafts style in Pasadena, Calif., designed by the renowned Pasadena architectural firm Greene and Greene. The frame is about 16 inches by 38 inches, perfect for checking hair, hat or tie on your way to an event. You can choose to replicate that frame or make a taller one, about 16 inches by 48 inches. 

Owners of the Blacker House are clients of the instructor, so he was able to make detailed notes about the frame's construction.  Most notable is an unusual, angled haunched joint at the top that has to fit perfectly. It’s tricky to perfect, but when you do it just right, you'll have a new joint to add to your projects.

This class is focused on creating robust joinery, using patterns for shaping, and getting details right in final construction. You will:

  • Work with pattern shaping and CNC jigs for accurate, consistent work.
  • Use the Festool Domino for quick, precise joinery.
  • Learn how make perfect, pillowed ebony plugs.

Details

  • Registration deadline is Nov. 21.
  • When you register, you'll have the option of ordering one or two sets of materials, sufficient for either size or a combination. One focus of the class is learning how to make multiples, so you will probably have time in the class to cut two sets of parts. But you may need to finish one frame on your own after the class. The instructor will be available for guidance for one hour of Open Studio time after each Thursday session.
  • The instructor will discuss hanging hardware and demonstrate how to hang the mirror.

Materials

A $105 materials fee, included in the class fee, provides enough wood for one frame ($180 for two). The prices are the same for entry mirrors or taller ones.

In either case, the fee also covers a set of patterns and jigs to use in class and take home for future frames. A digital copy of the instructor's 56-page eBook, "The Complete Guide to Building the Blacker Mirror," also is  included. The frame is ribbon-cut Khaya mahogany with Gaboon ebony for plugs.

NOTE: The materials fee does not include the mirror glass or hanging hardware. Buying the mirror glass on your own ensures it will fit even if your frame winds up being a slightly different size (in August 2024, Olympic Glass on Bainbridge Island was charging $79, plus tax, for  mirror to fit the entry mirror and $111 for the taller mirror).

Prerequisites

Class Policies

  • Ages 14 and up are welcome.
  • Wear safety glasses and closed-toe shoes, tie back long hair, and avoid loose-fitting clothing and jewelry. We recommend bringing your own safety glasses.

BARN Policies

Instructors or Guides

Tim Celeski

Tim Celeski studied architecture and design before working over 30 years in business as a designer. Once he discovered woodworking and built a workbench as his first project he fell in love with the craft, stopped his design career and became a full-time furniture maker and has never looked back. Using his design skills, his main focus is on original design high-end custom furniture. His extensive line covers many types of furniture from Arts and Crafts to contemporary. His work is in high demand and in collections all across the country. Over 100 of his pieces are in some of the Greene and Greene masterpieces in Pasadena. Currently he is focusing more and more on fine art wood sculpture, contemporary furniture design and writes about advanced woodworking and digital woodworking for Fine Woodworking and Popular Woodworking magazines.

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